The first few “marks” on yesterday’s boring canvas. A good time to step back and look afresh. Many changes ahead.
Also the first work inspired by my recent travels. I feel great pleasure in moving from the sketchbook to the fabric board at last.
80 days of travel through 12 countries….
I saw a lot of beautiful or interesting places, objects, people. None of these will be recognisable in what I make next. Pictures are not my talent!
The mindmaps pictured above my desk are a start at describing some of the ideas or images that came to me in those beautiful places. I had time to think, to be intrigued, to make connections.
Mindmapping was a good method to move all of that internal value to the external, physical world. A big step toward making…
Immediately: the greeting phase
I’ll kiss the humans, walk on my beach, go to rehearsal.
Short term: unpacking phase
That should keep me busy for a couple of days. Within a week I’ll be in the throes of making something!
I’m going to look for an opportunity to exhibit again within a year. And I have a Great Big Shiny Idea for action in about 15 months time. More about that later.
Enough about what I took, and what I took it in. The important thing, or one of them, is, What am I bringing back?
There are a few physical souvenirs, not many. More significantly, I’ve collected images, ideas and themes along the way.
You know I don’t tend to explain my work, I prefer to let you look at it and see what you see. But here are some of the ideas you will see in my work over the next few months. Probably longer
Keep a sharp lookout for these, they may be heavily disguised.
I tried and tried but I couldn’t get everything to fit into a carry-on. 12 weeks spanning climates and dress codes from Berlin to southern Iran was too much. Here’s the luggage list:
For bulky stuff needed while out and about- plus occasional shopping; one daypack. I scored this one in an office give-away years ago. It doubles as the overnighter.
For the essential do-not-get-pickpocketed items; a neck pouch.i bought this from its dyer/maker at a textile art symposium in Ohio.
Unfortunately this has suffered on the journey and isn’t really functional now. I’m going to put it in the Art Materials stash and honour its good service.
Fortunately, I’m in Firenze, where finding a replacement bag is no problem at all
With the great encouragement of some talented friends, I have been making friends with the pencil. Drawing, or at least sketching, is slowly becoming part of my process.
It is helping me to remember things and ideas, and to slow down and pay attention to the moment.
It’s also been useful when discussing ideas with clients. I’ve been surprised how a very crude scruffy sketch on the fly has helped us move forward together.
A drawing kit for the journey, but not too much:
In Sevilla I added a green pencil.